credo

Chapter 13 - THE THANKSGIVING WITHOUT A RESCUE

The second Thanksgiving was quieter.

No chandelier.

No mahogany dining table.

Mom’s condo barely fit six people comfortably.

Marcus flew in from Denver.

Jennifer did not come.

That part of the family had changed permanently.

Marcus brought wine.

Not expensive enough to announce itself.

Dad cooked turkey badly.

Mom criticized him.

Normal.

At dinner, nobody asked about my net worth.

Nobody asked when I planned to marry.

Nobody suggested property.

Marcus looked at my sweater.

“Target?”

“Yes.”

He nodded solemnly.

“I knew it.”

Mom kicked him under the table.

He laughed.

Then looked at me.

“I’m sorry.”

The table went quiet.

Not because nobody knew why.

Because everyone did.

“I was cruel.”

He continued.

“I wanted your life to look small because mine felt bigger that way.”

No excuses.

“I used your name.”

“Your company.”

“Your future money.”

“I lied to lenders.”

“I lied to Jennifer.”

“I pressured Mom and Dad.”

He swallowed.

“And I kept calling it ambition because fraud sounded worse.”

Dad looked down.

Marcus continued.

“I don’t expect you to forget it.”

“I won’t.”

He nodded.

“Fair.”

Mom started crying.

I pointed my fork at her.

“No emotional hostage situation.”

She laughed through tears.

“Sorry.”

Dad raised his glass.

“To boring financial disclosures.”

Marcus groaned.

We toasted.

That could have been the ending.

It almost was.

Then Dad handed me a small box after dinner.

“What?”

“Found it while moving.”

Inside was an old mini-DV tape.

Label:

ALEX — FIRST FILM — AGE 19.

I stared.

“I thought this was lost.”

Dad smiled.

“I copied everything you ever made.”

“What?”

“Not everything.”

Mom corrected.

“Some of it was terrible.”

“Thank you.”

Marcus laughed.

The tape contained a short film I made in college.

Bad lighting.

Terrible sound.

Story too ambitious for twelve minutes.

I loved it.

We watched on a digitizer Dad had borrowed.

At the end, nineteen-year-old me appeared briefly in a behind-the-scenes clip.

Someone off-camera asked:

“What do you want to do after graduation?”

Young me laughed.

“Build a studio.”

Marcus looked at me.

“You actually said it.”

“Yes.”

“You knew?”

“I hoped.”

Mom whispered:

“You built exactly what you said.”

Not exactly.

Bigger.

Stranger.

Harder.

But close.

Then the old footage continued.

Dad’s younger voice came from behind the camera.

“She will.”

I turned toward him.

He looked embarrassed.

“You said that?”

“I guess.”

“You spent years telling me to get something stable.”

“I contain contradictions.”

Marcus laughed.

“That should be on the family crest.”

Maybe.

Then my phone buzzed.

Atlas.

Our first major series under the new deal had finished its opening weekend.

The numbers were enormous.

A record for the platform’s new-drama launch.

Marcus saw my expression.

“What?”

“Work.”

“Good?”

“Yes.”

He smiled.

“Tell us.”

I almost did.

Then stopped.

Not because I wanted secrecy.

Because something had changed.

I no longer needed the number to repair anything at this table.

“Tomorrow.”

I said.

Marcus nodded.

“Tomorrow.”

No one pushed.

That was new.

Later, Dad walked me to my car.

The Honda Civic.

Still alive.

Barely.

He touched the roof.

“You know you can afford another car.”

“I know.”

“Just checking.”

Then he handed me an envelope.

Another thing from the move.

Inside was the unsigned $10,000 check.

The one he wrote when I founded Larkspur.

I smiled.

“Why are you giving me this?”

“Frame it.”

“Why?”

“So you remember I was wrong.”

I looked at him.

“You weren’t wrong for being worried.”

“No.”

He shook his head.

“I was wrong because I thought worry gave me the right to define success for you.”

That sentence belonged in a frame more than the check.

I hugged him.

First real hug since Thanksgiving.

Then Dad whispered:

“Your mother still thinks you should buy a new car.”

“I heard that.”

Mom shouted from the doorway:

“IT HAS A CRACK IN THE BUMPER!”

I laughed.

And drove home.

The next morning, Atlas issued the official numbers.

Larkspur’s new series had broken the platform record.

But buried inside the congratulatory emails was one message from Caroline.

Subject:

BOARD PROPOSAL.

I opened it.

The board wanted to buy additional shares from me.

If I accepted—

May you like

for the first time since I was twenty—

I would no longer control Larkspur alone.

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